Virginity, Teen Pregnancy, and Scholarship


School girls in Sierra Leone
Bo, Sierra Leone's second largest city has started a new scholarship program to keep girls in school. The only catch...they must remain virgins through their educational career to keep the scholarship. City councilman Mathew Margao said the scholarship will ensure that “80 percent of school going girls keep their virginity until they finish their educational life”. Margao added that, “the council will hire female medical personnel who would prove the authenticity of the girls virginity”. The council started the scholarship in response to a reported rise in teenage pregnancy from the Ministry of Gender and Social Welfare. There were 500 reported secondary school pregnancies in Kailahun a town to the east of Bo.

Pregnant teens in Sierra Leone face greater risks at childbirth. They accounted for 40 percent of all maternal deaths in 2008. Family planning experts say that sex education and contraceptive use do more to reduce unplanned pregnancies amongst teens. But in Sierra Leone where 70 percent of pregnant teens are already married one might argue that these pregnancies are planned. Even the youngest teens in Sierra Leone sometimes look forward to becoming mothers. They are unaware of the risks they might face during childbirth or the possible neonatal affects on the baby. Those teenage moms who do survive the ordeal of losing a baby are sometimes eager to try again. Our culture tells us that losing a baby at birth is either God’s will or caused by witchcraft.

Many parents sometimes encourage older, wealthier suitors for their teenage daughters. This is not to say that young girls don’t date boys their own age. But many young women , especially from low income single parent households are encouraged to find men who will provide for them financially.

While the idea that the government in Bo believes it lawful to violate the bodies of young women with its virgin scholarship is problematic, the real question of how to effectively combat teen pregnancy in Sierra Leone still remains.

When the powers that be conceived 'free healthcare for expecting mothers and children under 5', it was simply to fight the nation's discouraging maternal mortality rates. It was not a holistic women’s reproductive health policy to address all aspects of women’s health. Sierra Leone’s private and public health systems have yet to adequately address the issue of teenage pregnancy so politicians in places like Bo have to find their own solutions.

The most ostentatious efforts to target teenage pregnancy by NGOs or the Ministry of Health are limited to outdated bill boards warning girls to refrain from getting pregnant least they become drop outs with no opportunities. The health NGOs and the public health system refuse to acknowledge that teenage girls in Sierra Leone will discover  and experiment with their sexuality much like girls all over the world. Teenage girls in Sierra Leone will have sex with boys their age and with men much older than they are. Some will do so of their own free will while others will be seduced by wealth, status, etc.

Teenagers need to be properly educated and counseled about the consequences of being sexually active in a modern world. They need to have access to contraceptives. I once interviewed a young woman in Freetown who said she didn’t use condoms because she was afraid it would get stuck in her stomach. Who is going to teach her otherwise? Politicians like councilman Margao?

Egypt's Nude Revolutionary


Twenty year old Egyptian blogger Magda Aliaa el-Mahdy rose to stardom after delivering a stick of dynamite via her blog, 'A Rebel's Diary', in what she described as being in the spirit of the revolution.

Who is Aliaa? Nowadays she's known as the Nude Revolutionary and the dynamite was - you guessed it - a nude photo of herself online, which sparked outrage from both conservatives and liberals in Egypt alike. Here's her take on why she took such controversial measures:
"Put on trial the artists' models who posed nude for art schools until the early 70s, hide the art books and destroy the nude statues of antiquity, then undress and stand before a mirror and burn your bodies that you despise to forever rid yourselves of your sexual hangups before you direct your humiliation and chauvinism and dare to try to deny me my freedom of expression".
The North African country, with a population of roughly eighty-five million, is a largely conservative society.

Earlier this year, inspired by the wave of uprisings that struck the region following Tunisia's ability to send their long-time dictator Zine El Abidine Ben Ali packing, Egyptians from all social and political classes took to the streets with a unified dream of doing away with a system that had outlived its stay.

As punishment, Egypt's Supreme Council of Armed Forces (SCAF) subjected women to humiliating 'virginity tests', which entailed having a soldier insert two fingers into their croch. Once again, as discontent returned to Tahrir earlier this month, women's bodies were targeted.

Women's rights advocates like award-winning Egyptian writer Mona Eltahawy believes that El Mahdy's act not highlights how in times of extreme repression sex and nakedness becomes the only weapon of political repression for women. In a recent article in the Guardian, she argues:
When sexual assault parades as a test of the "honour" of virginity, then posing in your parents' home in nothing but stockings, red shoes and a red hair clip is an attack towards all patriarchs out there. 
While Mahdy's act has been hashtagged (#NudePhotoRevolutionary) and her name tweeted and Facebooked endlessly, others did not receive such attention. Samira Ibrahim, the only one of the women subjected to "virginity tests" who is taking the military to court for sexual assault, has neither a dedicated hashtag nor notoriety. Another woman, Salwa el-Husseini, was the first to reveal what the military did to them, but news reports have said she can't raise a lawsuit because she doesn't have identification papers. 
Not only did el-Husseini speak out, she courageously agreed to be filmed at a session of testimonies on military abuses. Again, hardly anyone knows her name, her recorded testimony isn't racking up page views, and she was called a liar and vilified for speaking out. Both women have vehemently maintained they were virgins. 
If "good girls" in headscarves who kept their legs together only to be violated by the military speak out and no one listens, what's the message being sent?
Whether or not El Mahdy's act was revolutionary or not it has definitely sparked a debate as to how far women should go in pushing the boundaries in their fight for a more inclusive society.

One question that probably pops in your head is: had she been a man, would the publics reaction have been different?

Critics argue that the embattled blogger not only insulted revolution but has tarnished the uprisings image.
“#nudephotorevolutionary was the most daring conflicting act I’ve seen for a long time but was also the worst thing that happened to the liberal movement in Egypt,” Kamel continued. According to Kamel, he feels that her actions have caused more harm than good. Her actions have done “nothing but stir a debate and allow the conservatives to have one more reason to call for an Islamic state and blame liberals and seculars for this. You will probably see one of them saying this is how all women will act if Egypt isn’t saved by an Islamic leader."
In the aftermath of her public expression, El Mahdy has been slapped with a lawsuit as the Coalition of Islamic law graduates in Egypt filed a case against the blogger and her boyfriend, Kareem Amer who also appears nude on the site, for 'violating morals, inciting indecency and insulating Islam'.

In her defense, supporters have established a Facebook page in which they vow to also get butt naked in an act of self-expression. According to Eltahawy, El Mahdy's nudity was a way of extinguishing the 'dictators of our mind'.

Perhaps, but is this the way to do it?

I remember when I was still living on the streets and working as a delivery person in New York City while cleaning houses on the side. The delivery service was a family run business and in the midst of being delighted to finally have someone pay me for once, I didn't even consider that the $20 a day for over eight hours of work was meager. Then a good friend C told me to quit that job and go art model.

I thought she had lost her mind. Now, it's not like you think. It actually entailed going around to art schools and posing.

To convince me she said, "once you drop the clothes, it's done and you got a new career."

The idea didn't sound bad to me, especially after discovering that NYU paid a hefty $18 per hour and most classes were four hours long. The major feat was challenging a lot of societal mishaps in the process but eventually I saw this as a great way to rekindle the artist in me, revolutionize my thinking and love my body.

So, I did it. After some time I was the most sought after model circulating the art scene and I felt empowered, liberated and I was an entrepreneur.

I use this example in an attempt to paint a visual image of one way in which nudity was used to empower an individual.

However, in the case of Egypt's nude revolutionary, my question to readers is: Is any time the right time for the clothes to come off when advocating women's rights? Is this truly an act of self-expression?

What They Bear. Why They Run.

This week, millions of people in the Democratic Republic of Congo (DRC), a war-ravaged African country, voted in their second ever presidential and parliamentary election.

With a population of over 70 million and one of the highest occurrences of rape in the world, the New York Times reported fear of violent outbreaks due to Congo’s elections because of fraudulent politics and, essentially, DRC's reverse development. “This year the United Nations ranked it dead last of the 187 countries on the Human Development Index.”

The Democratic Republic of Congo is also known to be one of the worst places on earth to be a woman.

In mid-May, a study in the American Journal of Public Health, found that 400,000 females aged 15-49 were raped over a 12-month period in 2006 and 2007. The greatest numbers of rapes were found in DRC's North Kivu. There an average of 67 women out of 1,000 have been raped. At least once. That’s 48 women an hour.
Imagine. Having to go into a forest. The only place. To find food. For your children.
Imagine. Emerging raped. Not once. Not twice. Every time. Any time. Whenever.
Imagine. Returning home. And being raped. By your partner.
According to the Christan Science Monitor, this is daily life for Congolese women. “Rape is becoming part of the culture,” said Michael Van Rooyen, the director of Harvard’s Humanitarian Initiative and an expert on rape in the Congo.

One Man’s Journey for Congolese Women
For two years, Londoner Chris Jackson has lived in absolute dedication to sport, not just as a human rights advocate but also as an athlete and spokesperson for Congolese rape victims. He’s completed myriad heroic athletic acts to raise awareness of the horror women in Congo live every single day of their lives. Rampant and repeated sexual violence. Rape as a weapon of war.

From Cassatt to Woodman: Ideal Space

This week, I led a discussion in class about the feminine ideal, the American-born artist, Mary Cassatt, and the use of space as a metaphor for sexuality/gender roles. It was a rich conversation but I was surprised at how accepting the class was about the assigned role of domesticity to a specific gender (feminine). While considering the prevailing concepts of what feminine beauty looked like--and what it promised the viewer--we compared two images, Cassatt's Mother and Child and Kenyon Cox's Eclogue:

Mary Cassatt.  Mother and Child.  1905.  Image courtesy of the National Gallery of Art Collection online.
Cassatt's work is an Impressionist version of a popular theme of mother and child. While the usual religious symbolism was omitted, the implicit piety of motherhood still resonates. As a matter of formal analysis, we discussed the "feminine" distinction of inhabiting predominantly domestic spaces. In addition, we considered the use of contemporary, "real" women as a means of subtly challenging the historical infrastructure of the feminine ideal.  Consider this while looking at Cox's Neoclassical version of his subjects.

Respecting the Earth's Mother


“We realize there is still a long road to go down to achieve respect and dignity for indigenous women. We need to build an inclusive network that can persist over time,” says Tarcila Rivera Zea, Coordinator of the Network of Indigenous Women of South America.

Throughout the world, first peoples or indigenous peoples find their languages, cultures, values, environments and in some cases their lives under constant threat. In every corner of the world, indigenous people are among the poorest, most socially excluded and discriminated against groups. In many respects the world's natives, who account for nearly 350 million out of a global population of seven billion, remain an occupied people.

Before occupation, indigenous women held a respected role in society with regards to property ownership, decision-making as it related to the community and were in control of their bodies.

Civilisation coupled with climate change has changed this reality as women are no longer able to rely upon the elder who was the keeper of herbs to assist in health care issues. Nowadays, women are forced to seek western means of health services but due to their status of living in poor, rural and under-developed areas many perish during childbirth.

In the Congo, where indigenous people represent nearly two percent out of a population of almost four million, women are discouraged from accessing proper health facilities during childbirth due to the negative stereotypes surrounding native people. According to a recent survey, the Congolese Association for Health in Cuvette-Ouest found that of the five hundred and twenty women of child-bearing age, only eight delivered at a health centre.

Besides ill-treatment from health care workers who may view these women as being from a distant culture, high fees, lack of education and language barriers all contribute to leaving this vulnerable population to fend for themselves.

Traditionally, we were taught to honour our elders and to respect tradition. That's all lost now. Indigenous peoples are the keepers of the original law, which is the belief that we as souls are placed on Mother Earth to act as caretakers. All life including the plants, animals, sea and other human beings are our kin and should be treated as part of ourselves.

Given this reality, colonial governments have a responsibility to implement free health services, cultural sensitive training for health care workers and education in schools about tradition and reverence to those that are our global elders.

The following is a short video documenting indigenous women who have been forced from their lands.


Weekends with Georgia O'Keeffe: Beauty in Simplicity

Georgia O'Keeffe at her home in New Mexico. Image via proustitute.tumblr.com
I am fascinated by the lives of artists. I appreciate the work they produce, but I also love learning about the person behind that creativity, their life's journey, and how they spend their time. That's why I was delighted to read Weekends with O'keeffe, a book of journal entries, poetry, letters, and detailed observations made by writer and librarian C.S. Merrill. The author lived and worked closely with artist Georgia O'Keeffe during the later years of her life in New Mexico.  Merrill's meticulously detailed writings transport the reader to 1970s New Mexico, and feel as if they are an honored guest in O'Keeffe's home.

A journal entry from May 31st, 1974 reads:

Women Artists Represent!

Xochitl Guerrero. Duality of Life and Death. 2011. Acrylic on canvas. Painting at the Forrealism Exhibition, November 2011.

This past weekend was a sweet milestone in terms of developing an art practice and a community here in Oakland, CA. Where to begin, really...

First, I'm proud to say that a dear friend of mine, Lulu, was there to share the experience in displaying work. After a year of taking classes, stressing, and alternately enjoying the art making process, we were invited to submit work for a group show. And, what a group show it was! As a part of a larger art event, Oakland's Art Murmur, the Forrealism Exhibition was a glimpse into a longstanding and thriving community of established Bay Area artists.

Arab Hip Hop Queen Malikah

Daily life for women in the Arab world is never an easy task in a male-dominated society. So imagine being one of very few female emcees taking on the testosterone-driven world of Arabic hip hop. But, MC Lix aka Malikah, which means Queen in Arabic, is doing just that.

Born into a Lebanese/Algerian family in Marseille, France in 1986, Malikah has spent the last nine years not only establishing herself as a well respected MC but also letting the world know that Arab women have something to say and should be respected.

Proclaimed the "Best MC in Lebanon" after making her mark on MTV Hip HopNa, Malikah has become the voice of female empowerment through her music. One of her trademark songs is Ya Imra’a, which encourages women to fight for their rights and freedom -- despite all the obstacles they face in the Middle East and North Africa.

Here's a little taste of the Queen in action.




At the onset of her career, Malikah faced her own obstacles. Besides battling her male counterparts, she was also forced to cover her face whenever making public concerts due to the opposition she faced from her family of being a rapper. On stage, Malikah is a force to be reckoned with. She is hardcore and serious when it comes to politics and social issues, but smooth when it comes to singing about love and friendship.

Currently, Malikah is hard at work creating her debut album, The Coronation. Here’s a link to her MySpace page to keep up with all her doings.

Pacific Standard Time: Women and Art in Los Angeles

This fall the art world buzz is centered on Los Angeles, California. The city is the focus of Pacific Standard Time, a collaboration between more than 60 cultural institutions across Southern California telling the story of the birth of L.A.'s art scene. West Coast art and artists broadened the landscape of contemporary art. New York had a more established modern art scene, and set the pace for much of what went on in the art world.For many years, Los Angeles was considered an artistic underdog (the area was more known for its sunny weather and movie stars than for fine art), and the contributions of its artists weren't taken seriously. But L.A. artists rebelled against the arts establishment, introducing new materials and work methods, and truly enriched American art. There were many women artists at the forefront of art making in the "wild west," and they made important contributions.
Betye Saar's The Liberation of Aunt Jemima, 1972. Photo via Netropolitan.org

One woman who played a prominent role in the postwar Los Angeles art scene was Betye Saar, an artist who is best known for her assemblage pieces depicting themes of racial pride, spirituality, and ancestral history. Saar created her works with objects she collected in her travels to places such as Mexico, Europe, and Haiti as well as flea markets around Los Angeles. The artist is one of several featured in Now Dig This! Art and Black Los Angeles 1960-1980, an exhibition currently on view at UCLA's Hammer Museum as part of Pacific Standard Time.  Saar seamlessly wove found objects with those of significance to her own family, thus placing her personal legacy within a larger historical context. She also collected racist memorabilia, giving figures and images trapped in stereotypical roles new and more empowering meaning, thus "liberating" the characters, and in turn the hearts and minds of African Americans. Her repurpose of this memorabilia reflected a new consciousness that was beginning to take hold in Black America, which was in a state of great change from the Civil Rights and Black Power movements.

CLIO TALKS BACK: Do Mothers Have a History?


The illustration above is possibly the first and oldest illustration of a birth by Caesarian section.   Not all mothers give birth the usual way.

Clio found this illustration in the first comprehensive history of motherhood, written by her colleagues Catherine Fouquet and Yvonne Knibiehler.  Their lavishly illustrated volume, which spans the centuries from the Middle Ages to the later twentieth century, is a book that women’s historians ever since have admired, envied, and tried to supplement.  It is a book from which we can all learn a great deal.

Here are the authors’ thoughts from the Introduction to their history of motherhood, as translated from the French by Clio. Their observations are still worth pondering as the International Museum of Women prepares to launch its online exhibition “Mama.”

Do Mothers - and Motherhood -  have a history?

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

"Historians have hardly paid attention to mothers. If a Blanche of Castille, a Catherine de Medici have attracted their attention, it is especially because they were queens and their motherhood carried political weight. Traditional history hardly entered into private life: first defined as the expression of human collectivities, it cristallized around the State and the Nation. Why did Herodotus write his Histories? To tell how the Greek people, despite their small number, triumphed over a great king with innumerable troops: thanks to this triumph, the Greeks became conscious of their national identity and their freedom. It was there that history was born, as consciousness of liberty: born of the idea that the human being was achieved through a collective destiny. In order to enter the field of history, it must, one thought, shed its individual dimension, the intimate and personal part of its existence. In this perspective, there can be no history except political history, at the civic level. . .].

"Mothers, with very rare exceptions, belong to private life, and even to the most intimate aspects of private life. They do not have history: at least this is what one might think, given the silence of historians. But, in our time, private life falls with a great clamour into the public domain, and everything becomes political. Could one go so far as to say that the recent laws on abortion and contraception have granted mothers this liberty which is the first condition of history? This would be false: they have acquired there an entirely negative, entirely individual liberty, the liberty for each to not be a mother, but not that of existing as mothers, collectively and actively. In fact, it was the public powers which constituted mothers as a homogenous but passive group, when they began to get nervous about the drop in the birth rate. Then we witnessed [the advent of] Mother’s Day, Motherhood Medals, assistance to mothers, protection of mothers. At the end of the nineteenth century and especially in the interwar period [of the twentieth century], one could suddenly measure the political importance of anonymous mothers in the nation. It is from there that the historians have taken up the issue: by interrogating the origins of dénatalité, they began to be concerned with mothers, but only indirectly, without placing them at the center of their inquiry. These first investigations, however, sufficed to make it clear that maternity lay neither outside time nor outside history.

"Once admitted as a subject of history, one must define it and locate its limits. To begin with, where does maternity begin and where does it end? The young woman who has just conceived for the first time – is she already a mother? And the grandmother who knits for her children’s children, is she still one? Does a mother who loses her children cease to be a mother? Maternity has no end. She who abandons her little ones, she who slays them, becomes an “unnatural mother,” a “criminal mother” – she does not cease to be a mother in the eyes of society. Further, who is a mother? She who gives birth to the infant? She who raises it? She who cherishes it and will love it always whatever else happens? In other words, is motherhood a biological function, a social function, a psycho-affective function? In one period, in one collectivity, one of these functions has been accented without the others necessarily disappearing. And how can we account for the cruel stepmother [marâtre], the godmother, the mother-in-law, the big sister who takes care of the little ones? Finally, motherhood is not the result of parthogenesis. The material and moral situation of the mother, her relationship to the infant, depend to a very great extent on the father, for better or worse. Can one speak of mothers, even of unmarried mothers, without thinking of love, marriage, laws and norms, of mentalities and family customs?

"Thus it is a vast subject, of indecisive form, this history of mothers. It spills over into the history of medicine and health by the birth process and care to newborns, into the history of demography by rates of birth and death, into that of material life and techniques with housework, into that of mentalities with regard to the carving up of masculine and feminine roles and generational conflicts, that of education, that of feelings. The quest for sources, indispensable materials for the historian, is not so easy. The historian quickly discovers that the consultable documents fall into two categories: on the one hand those that contain concrete information on maternal behavior, and on the other those who talk about maternity or who depict it. The first group are particularly of the demographic or ethnographic sort. By looking at documents from the civil registry and parish registers, demographic historians have been able to establish, for example, the age of mothers when their first child is born, the spacing of births, the total number of children born and surviving, the number of illegitimate births, of foundlings, of babies put out to wetnurses. Other sources provide information on traditional means of preventing births, the rate of infanticides, the closing of ranks by families around children. The ethnologists, for their part, explore the concrete environment of maternity and traditional practices about giving birth, breastfeeding, and infant care. All these phenomena can vary considerably with respect to the time, place, and surroundings: economic, political, and cultural factors that underlie these differences begin to be discernable little by little, attesting to the fact that mothers certainly do have a history. As for the discourses and representations that motherhood has inspired, they are for the most part produced by men. Theologians and moralists who announce the divine will, physicians and anthropologists who reveal the order of nature, jurists and statesmen who formulate the needs of society, artists who translate a sensibility: all speak abundantly about what a mother is and what she should be.

"During this time, paradoxically, the women, the mothers keep still. They have written poems and novels about love: they have not written poems or novels about maternal love. Even their letters are often lacking on this subject, apart from those of Madame de Sévigné. Nor do they describe their specific experiences: neither giving birth nor nursing have been the objects of any sincere and profound accounts until very recently. At the dawn of the nineteenth century one can see, at the same time as a decisive progress in the reduction of the birthrate among those in the higher levels of society, the arrival of a number of texts by women about little children. This is no accident, insofar as it is true that the act of writing is above all else the expression of a freedom. As long as babies were simply something one submitted to, the sign of biologic destiny, they were not discussed. The silence of women is a fact of civilization which scarcely lends itself to simple interpretations: the history of mothers is mysterious and difficult.

"Then why try to write it?

"History is memory. Individuals who lose their memories lose their identities at the same time. The same thing goes for human groups: inasfar as a group has no history, it has no identity, it does not exist as a group, however numerous it might be. But if it gives itself a history, it begins to exist; at the same time as its past, it has the possibility of constructing its future. The authors of this book, mothers and women historians hope to aid women in constructing theirs."

Source: “Les Mères ont-elles une histoire?,” Introduction to Yvonne Knibiehler and Catherine Fouquet, L’Histoire des Mères du moyen-âge à nos jours (Paris: Editions Montalba, 1980), pp. 4-6. Transl. from the French by Karen Offen

Women Helping Women: Somalian Famine Refugees Find Relief in Neighboring Kenya

The people of Somalia are in need of so much. They need a stable government – or any government at all, really, having basically been without one for the past two decades. They need jobs, income, clothing, medical care.

But perhaps right now, more than anything, they just need a little rain.

An East Africa drought continues to plague Somalia and neighboring countries, causing a famine that’s estimated to have cost tens of thousands of Somalian residents their lives thus far. But thanks to a for-women, by-women program in northeast Kenya, some 2,700 Somalian women and their families have found a bit of relief.

Womankind Kenya, along with partners such as MADRE and Zenab for Women in Development, has provided food, water and anti-diarrheal medicine to these women and their families, in addition to counseling and medical services to women who have survived rape or robbery during the trek to Kenya.

“We counsel women who arrive traumatized from sexual violence, from being uprooted from their home communities, or from burying a child along the way,” said Hubbie Hussein al-Haji, pictured above, executive director of Womankind Kenya. “We ensure pregnant and breastfeeding women emaciated from famine receive the nutrition and health care they desperately need.”

Hussein al-Haji says the famine could be somewhat lessened if regional resources were adequately and sensibly used.

“While the worst drought in six decades has destroyed crops in the northeast, very close by in the south of Kenya, the farms are green and plentiful,” she said. “People are growing wheat, vegetables and more. But this locally-grown food is not getting to the people who need it. Meanwhile, the price of staple crops like rice, corn and wheat is shooting up. Drought means that poor people can no longer raise their own food for lack of water. If the prices go up, they can’t buy food either.”

In the meantime, women-focused partnerships will continue to help as many famine escapees as possible. MADRE recently utilized one of its partner organizations, a group of women farmers in Sudan, to deliver a crucial supplement to Womankind and the refugees it supports. Hussein al-Haji says that in addition to this help from outside organizations, creating more sustainable, locally grown food sources will be key to aiding famine victims and preventing future outbreaks.

The Ultimate Sacrifice: Tragedy in Tibet

Last week, in the highest form of nonviolent resistance, a 20 year old women, Tenzin Wangmo, set herself fire in a Tibetan town near China, imploring that the Chinese government grant religious freedom to Tibet and allow for the peaceful return of The Dalai Lama. While Tenzin Wangmo was the 9th Tibetan to self-immolate in protest of the Chinese policies against Tibet this year alone, she is the first woman in the Free Tibet movement to have take this action- ever.

Tragically, self-immolation is rather common amongst women in some parts of the world, particularly Afghanistan. However, more often than not in these cases, the most commonly sited cause for such action is an extreme reaction to violence against women. 'Women and girls appear to see this horrifying act as a means of both escaping from intolerable conditions and speaking out against abuse, since their actual voices do not bring about changes that would allow them to lead safe and secure lives.' Conversely, some view Tenzin Wangmo's act as the most extreme act of selflessness--some Buddhists believe that only through their own suffering can they bring Enlightenment to others.

Not surprisingly, reaction to her death has been mixed. “The Dalai Lama has said many times in the past that suicidal protests are not something he approves of or wants to encourage, but he can’t put himself in the position of criticizing people’s right to protest, and he certainly can’t put himself in the position of saying these people don’t experience intolerable pressure … It’s quite clear that they do.”