Showing posts with label palestine. Show all posts
Showing posts with label palestine. Show all posts

For a Syrian Refugee in Palestine: A Lifelong Plight of Unanswered Rights

[Editor's Note: This blog post by IMOW contributor  Simba Russeau was originally published on Debating Human Rights for Blog Action Day 2013.]

On December 10, 1948 at the Palais de Chaillot, Paris, the first Universal Declaration of Human Rights (UDHR) -- which consists of thirty articles -- was adopted by the United Nations (UN) in response to a global need for the observance and respect of human rights regardless of religion, gender, or race.

 “The first Universal Declaration of Human Rights isn’t the first but it’s the greatest and most important. It was drafted in 1948 by the fifty-six member states of the United Nations. Our goal was to draft text that would be universally accepted as rights and freedom that applied to everyone,” Stéphane Hessel, former Ambassador to the UN and a co-drafter of the UDHR in 1948 said.

“However, people continue to contest the first human rights declaration by stating that westerners drafted it. This isn’t true. People from all areas of the world drafted it. People have said that it was drafted by the colonial powers and not by the de-colonialised people of the world. This is also false because we did take into account that some people were already independent and others not yet and that this declaration needed to apply to them also.”

At the time of it’s drafting, a mass exodus was taking place. According to the United Nations Conciliation Commission for Palestine, the 1948 Nakba forced an estimated 711,000 to 725,000 from their homelands.

Calling into question the lack of energy put into securing the homeland of Palestinians at the time of the drafting of the UDHR. “There terrible crisis in the Middle East is still not solved but the declaration on human rights lays out all the things that should be applied by Israel,” adds Hessel.

“Please don’t mix the question of implementation and the question of declaring values. The declaration declares values but it’s the responsibility of the countries, non-governmental organisations and the people to implement those values and that has not happened when it comes to the ongoing conflict between Israel and the Palestinians.”

Forty-six year old Omar, who requested anonymity due to security concerns, was born in Syria. In 1948, his parents fled the city of Haifa, which is the largest city in northern Israel. More than 470,000 Palestinians were residing in Syria’s before the war. Many, like Omar, hail the hospitality offered to their ancestors during their desperate search for safe haven.

“Before the war, life in Syria was good. The Syrian government and the people treated us very well. Our families, who fled in 1948, were accepted without conditions and given full rights in the country,” Omar said. “I worked for a good company as a civil engineer. Basically, we lived as if we were Syrians. I earned a good salary, we had a home and I was able to provide for my family. Our children were getting a good education.”

Omar’s life changed when fierce clashes between fighters loyal to Syrian president Bashar al-Assad and the opposition engulfed the Palestinian camps of al-Yarmouk, which is nestled on the southwest outskirts of Damascus.

Is Mona Hatoum a Surrealist Palestinian?

Mona Hatoum ( b. 1952, Lebanon) was born into a Palestinian family in Beirut. She often explores the danger and limit of everyday objects, giving them a new vision of interpretation. Her poetic and political oeuvre is realized in a different range of media: installation, sculpture, video photography and work on paper can be interpreted as a description of the body, gender and a commentary on politics.

All her earlier works draw a strong link with the condition of Palestine people. Although born in Lebanon, she always emphasizes her belonging to Palestine, but expresses frustration when that of "nationality" is the only interpretation that the audience gives to her works.

One of her most celebrated works is a video "Measure of distance" she made in 1988. Hatoum produced this video of letters written by her mother in Beirut to her in London. The video is a sensual conversation between two women, mother and daughter, in which the former speaks openly about feelings, sexuality and femininity.

                                     

"Although the main thing that comes across is a very close and emotional relationship between mother and daughter, it also speaks of exile, displacement, disorientation and a tremendous sense of loss as a result of the separation caused by war." 1

                                     

“View Siege” (1982) was a performance piece in which she was trapped in a large glass container entirely covered in clay. She tried several times to stand but repeatedly slipped and fell as the clay from her body smelted. It was a clear reference to the condition in Palestine as a country living in continuous siege. A collage of sound from different directions and in different languages was the background of the event.

Hatoum’s work is strongly evaluated as existing in the space between the Duchamp’s ready-mades surrealism and minimalism through her way of exploring objects and giving them a metaphoric interpretation via different framework. To explore the way in which she manipulates the object it is interesting to look at “Untitled (Wheelchair II), produced in 1999.


At first glance, the object looks unremarkable in its status, but as soon as one looks closer the differences come across: the chair itself is very uncomfortable and the wheels are very small, consequently the object is useless in its purpose and what appeared is different from the reality.
She took part in the Venice Biennale in 1995 and 2005 and has received numerous international awards, including the Joan Miró Prize in Barcelona (2011), the Käthe Kollwitz Prize in Berlin (2010), the Rolf Schock Prize in Stockholm (2008) and an honorary doctorate from the American University of Beirut (2008).

Today Mona lives and works in London and Berlin, exploring daily through her works, the duality of belonging to a Country of Arab tradition as well as to belong at the other, the “adoptive one” in which prejudice is overcome and freedom is a right of everybody.

1. Quoted in Mona Hatoum 1977, P.140